Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Franz Xaver Winterhalter
Portrait of the Queen Marie Amelie of France

ID: 78688

Franz Xaver Winterhalter Portrait of the Queen Marie Amelie of France
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Franz Xaver Winterhalter Portrait of the Queen Marie Amelie of France


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Franz Xaver Winterhalter

German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.  Related Paintings of Franz Xaver Winterhalter :. | Princess Beatrice | Pauline Sandor, Princess Metternich | Maximilian III | Self Portrait of the Artist with his Brother, Hermann | Barbara Dmitrievna Mergassov Rimsky Korsakova |
Related Artists:
Willem Van Leen
Dutch, 1753-1825
HERRERA, Francisco de, the Elder
Spanish painter (b. ca. 1590, Sevilla, d. 1656, Madrid). Spanish painter. His early works are in the Mannerist style. Under the influence of Francisco Zurbaron, he developed the naturalistic style seen in his four scenes from the life of St. Bonaventure (1627). About 1650 he moved to Madrid. His last documented work, a painting of St. Joseph (1648) influenced by Anthony Van Dyck, features elongated forms and elaborate draperies. He achieved considerable fame in Sevilla, where Diego Velezquez was briefly his pupil.
Georg Caspar Prenner
painted The children of Count Vorontsov in 1755






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